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When confronted, he revealed his closeted panty fetish and desire to be gently dominated. Her response was empathetic; she headed to the library and checked out Gloria Brame’s ) The teasing drove him crazy, and it gave her “a great idea for the makings of a little hobby”—and possibly a business.In 1993, Shattuck placed a half-page ad in a fetish magazine offering .95 cassettes full of tracks like “Stilettos on Your Balls” and “Wear My Panties.” Shattuck didn’t expect much commerce and hadn’t even recorded the tracks yet.By the early 2000s, Shattuck was selling CDs, grossing around 0,000 a year, and living in Silicon Valley with her tech millionaire husband.(She and the panty fetishist had long since parted ways.) Everyone in her suburb simply thought she was another rich housewife; I imagine her like an audio-porn version of protagonist Nancy Botwin, a pot-dealing suburbanite.Out of curiosity, she told me, she had tried typing “audio porn” into her browser and found a neglected Blogspot full of 1960s audio erotica: The campy dialogue was ridiculous, but the actors’ moans and groans, sprinkled amid the punchlines, turned Émilie on.One track was enough for her, but my curiosity was piqued.When she was in her 20s, a guy friend asked her to record a sexy greeting for his answering machine.
As Johnny climaxes, I imagine him biting a pillow to muffle the sounds of his orgasm from his parents, who stand right outside his bedroom in this fantasy. Unlike with porn vids, I was participating, not just staring.A fetish for medieval garb can unravel in an instant with a porn flick’s lack of attention to historical accuracy.Audio, on the other hand, can fulfill any fantasy quickly, discreetly and cheaply—no matter how specific.“They felt I was reading their minds because I had every detail of their fantasy just right,” she explains.“We fill in the visuals in our mind with our own desires.” By 1995 she had expanded to phone lines, where she charged by the minute for access to prerecorded fantasies.